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donthangoutinfrontofthehouse:

Volume 1 of the Please Don’t Hang Out In Front Of The House musical  compilation is here!  Yay!  This first volume features all the songs  written as a direct response to the artistic challenge I issued one  month ago.  All you have to do to get it is click the Vol. 1 download  button in the upper right of this page.  While you’re waiting for it to download, I have four things to tell you.
1)  The absolute hero of the past few days has been a young man from Portland named Matt Gauck.   He is the artist who drew the totally excellent cover art for Volume 1  that you see above.  He also stayed up absurdly late two nights ago  crafting the layout for the liner notes.  When you unzip the download  folder, you will find the audio files, along with Matt’s cover art and  the liner notes.  Even if you don’t read the liner notes, I urge you to  open them up and see his zine-influenced layout style.  It’s just  awesome.  You should probably read them anyways, since there’s some  great explanations from the musicians about their songs and their  respective hasty recording processes.  And then you should go to Matt’s website and check out the rest of his art.  Thanks, Matt, for making this comp look so damn good!2) I recommend that you listen to this comp on shuffle.3)  Have you ever been to an improv comedy show?  A really good one?  It’s a  great time.  Sometimes, it’s funnier than a quality pre-written sketch  comedy show.  Even though the jokes are generally better in the sketch  comedy show, the improv format benefits from the audience’s  understanding of context.  A joke is funnier when, in the back of your  head, you marvel, “She just made that up!”   A month  ago, none of these songs existed in the form that you hear them on this  comp.  In fact, most of these songs were written and recorded within two  weeks.  (Full disclosure: I’m the only one who took a full  month to get his song done.)  Two weeks might sound like a reasonable  amount of time to write and record a song, but remember that they only  had a couple weeks from the day they heard about the challenge.  So  these musicians made time to write and record these songs during a two  week period for which they undoubtedly had plenty of other plans.  I  guess what I’m saying is that this comp is like a really good improv  comedy show.  It is enjoyable and worthwhile, and if you keep in mind  how quickly these musicians produced this content, you will quite  possibly enjoy it even more.  4) The last item is a request: if  you enjoy the comp, or if you have been enjoying the blog, please share  it with someone who doesn’t know about it.  Just send the link to your  cool nephew or mention it to your co-worker who talks about music  sometimes.  We worked hard on this comp, and we want it to be heard by  anyone who might be interested.And with that, I sign off for  weekend because it’s time to for me to take a little break.  Stories and  photos will return on Monday, and Volume 2 of the comp (featuring  pre-released songs about house shows) will drop soon after.  Thanks so much for your interest and your support.  You have made the stressful days and the late nights worthwhile.  - Aaron
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donthangoutinfrontofthehouse:

Volume 1 of the Please Don’t Hang Out In Front Of The House musical compilation is here!  Yay!  This first volume features all the songs written as a direct response to the artistic challenge I issued one month ago.  All you have to do to get it is click the Vol. 1 download button in the upper right of this page. 

While you’re waiting for it to download, I have four things to tell you.

1)  The absolute hero of the past few days has been a young man from Portland named Matt Gauck.  He is the artist who drew the totally excellent cover art for Volume 1 that you see above.  He also stayed up absurdly late two nights ago crafting the layout for the liner notes.  When you unzip the download folder, you will find the audio files, along with Matt’s cover art and the liner notes.  Even if you don’t read the liner notes, I urge you to open them up and see his zine-influenced layout style.  It’s just awesome.  You should probably read them anyways, since there’s some great explanations from the musicians about their songs and their respective hasty recording processes.  And then you should go to Matt’s website and check out the rest of his art.  Thanks, Matt, for making this comp look so damn good!

2) I recommend that you listen to this comp on shuffle.

3) Have you ever been to an improv comedy show?  A really good one?  It’s a great time.  Sometimes, it’s funnier than a quality pre-written sketch comedy show.  Even though the jokes are generally better in the sketch comedy show, the improv format benefits from the audience’s understanding of context.  A joke is funnier when, in the back of your head, you marvel, “She just made that up!” 

A month ago, none of these songs existed in the form that you hear them on this comp.  In fact, most of these songs were written and recorded within two weeks.  (Full disclosure: I’m the only one who took a full month to get his song done.)  Two weeks might sound like a reasonable amount of time to write and record a song, but remember that they only had a couple weeks from the day they heard about the challenge.  So these musicians made time to write and record these songs during a two week period for which they undoubtedly had plenty of other plans.  I guess what I’m saying is that this comp is like a really good improv comedy show.  It is enjoyable and worthwhile, and if you keep in mind how quickly these musicians produced this content, you will quite possibly enjoy it even more. 

4) The last item is a request: if you enjoy the comp, or if you have been enjoying the blog, please share it with someone who doesn’t know about it.  Just send the link to your cool nephew or mention it to your co-worker who talks about music sometimes.  We worked hard on this comp, and we want it to be heard by anyone who might be interested.

And with that, I sign off for weekend because it’s time to for me to take a little break.  Stories and photos will return on Monday, and Volume 2 of the comp (featuring pre-released songs about house shows) will drop soon after. 

Thanks so much for your interest and your support.  You have made the stressful days and the late nights worthwhile. 

- Aaron

  • 1 year ago > donthangoutinfrontofthehouse
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Yup, that’s me on Halloween, playing the Fest.  Tom took this lovely photo of me in my costume.  (Fun fact: other than the occasional Halloween, I haven’t worn jeans in 17 years.)  I’d love to tell you all about it, and perhaps I will in a couple weeks.  I’ve been trying to get around to writing about it, but something big (and awesome) has gotten in the way.If you haven’t heard about the Please Don’t Hang Out In Front Of The House compilation, you should read the previous post.  Then you should go to the new blog and start checking it out daily!  I’m spending all my time on it (even time I don’t have!), and it’s coming together really well.  The music will be downloadable starting next week, but the stories, pictures and artwork are being released day by day on the blog.  Get there!- AaronPS Oh yeah, no shows planned at the moment.  I cracked a rib or something.  Oh, Fest.
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Yup, that’s me on Halloween, playing the Fest.  Tom took this lovely photo of me in my costume.  (Fun fact: other than the occasional Halloween, I haven’t worn jeans in 17 years.)  I’d love to tell you all about it, and perhaps I will in a couple weeks.  I’ve been trying to get around to writing about it, but something big (and awesome) has gotten in the way.

If you haven’t heard about the Please Don’t Hang Out In Front Of The House compilation, you should read the previous post.  Then you should go to the new blog and start checking it out daily!  I’m spending all my time on it (even time I don’t have!), and it’s coming together really well.  The music will be downloadable starting next week, but the stories, pictures and artwork are being released day by day on the blog.  Get there!

- Aaron

PS Oh yeah, no shows planned at the moment.  I cracked a rib or something.  Oh, Fest.

  • 1 year ago
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This is what a house show looks like.  Marathon’s last show in New Brunswick.  Photo by Ed Adams.
(UPDATED SUBMISSION GUIDELINES BELOW!)
Okay, first read this ridiculousness.Basements  (and houses) are the best places to play shows.  They’re the best  because they are ours; we create and determine the environment without  mediation from corporate parasites.  Red Bull energy drink is host…ing  a contest where bands apply to be considered for a “real” basement show  as a “tribute to the legendary New Brunswick, New Jersey underground  music scene.”  I cannot think of a more insincere way to pay tribute to a  scene than through guerilla marketing like this, which subverts the  essential freedom that basement shows represent.  The reason basement  shows are so legendary is because of the explicit absence of influences  like corporate sponsors and A&R reps.  We play basement shows to  share the best of ourselves without interference from those who would  try to profit off us.  In celebration and sincere tribute to  basement shows EVERYWHERE, and to the promoters who offer their homes  for the music and the scene, I propose an artistic challenge.  I don’t  want to sit here quietly while a global energy drink company attempts to  infiltrate our space. I propose this challenge to those of you who,  like me, want to respond in some creative way.  The challenge:  write a song or tell a story that is your personal tribute to  basement/house shows.  The song/story can take any direction you want.   For songs, please include a few sentences about the song.  For stories,  please give it a title and indicate how you want to be credited.  We  will master the songs for a digital-only free download comp and collect  the stories as a blog.  We are also accepting photos, drawings, comics,  etc.  All submissions should be sent to aaron@atticaattica.org. DEADLINE  FOR STORIES/PHOTOS: 5 PM EST, TUESDAY, OCTOBER 26.  DEADLINE FOR SONGS:  5 PM EST, TUESDAY, NOVEMBER 2.  We want to get this out as soon as  possible.  Time is short, but that’s part of the fun!That’s not a  lot of time, but part of the challenge is about urgency.  If you don’t  feel urgently about this, that’s fine.  But if you do, find an afternoon  in the next two weeks to write and record something, no matter the  sound quality.  If you’re not a musician, tell your story in writing or  record it.  Our songs and our stories are the evidence of our legacy.  I  would hate to think that anyone in the future would go to a house show  thinking that there were always corporate logos hanging from the  ceiling.
If you want to tap into this via Facebook, here’s the event page.
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This is what a house show looks like.  Marathon’s last show in New Brunswick.  Photo by Ed Adams.

(UPDATED SUBMISSION GUIDELINES BELOW!)

Okay, first read this ridiculousness.

Basements (and houses) are the best places to play shows. They’re the best because they are ours; we create and determine the environment without mediation from corporate parasites. Red Bull energy drink is host…ing a contest where bands apply to be considered for a “real” basement show as a “tribute to the legendary New Brunswick, New Jersey underground music scene.” I cannot think of a more insincere way to pay tribute to a scene than through guerilla marketing like this, which subverts the essential freedom that basement shows represent. The reason basement shows are so legendary is because of the explicit absence of influences like corporate sponsors and A&R reps. We play basement shows to share the best of ourselves without interference from those who would try to profit off us.

In celebration and sincere tribute to basement shows EVERYWHERE, and to the promoters who offer their homes for the music and the scene, I propose an artistic challenge. I don’t want to sit here quietly while a global energy drink company attempts to infiltrate our space. I propose this challenge to those of you who, like me, want to respond in some creative way.

The challenge: write a song or tell a story that is your personal tribute to basement/house shows. The song/story can take any direction you want. For songs, please include a few sentences about the song. For stories, please give it a title and indicate how you want to be credited. We will master the songs for a digital-only free download comp and collect the stories as a blog. We are also accepting photos, drawings, comics, etc. All submissions should be sent to aaron@atticaattica.org. DEADLINE FOR STORIES/PHOTOS: 5 PM EST, TUESDAY, OCTOBER 26. DEADLINE FOR SONGS: 5 PM EST, TUESDAY, NOVEMBER 2. We want to get this out as soon as possible. Time is short, but that’s part of the fun!

That’s not a lot of time, but part of the challenge is about urgency. If you don’t feel urgently about this, that’s fine. But if you do, find an afternoon in the next two weeks to write and record something, no matter the sound quality. If you’re not a musician, tell your story in writing or record it. Our songs and our stories are the evidence of our legacy. I would hate to think that anyone in the future would go to a house show thinking that there were always corporate logos hanging from the ceiling.

If you want to tap into this via Facebook, here’s the event page.

  • 1 year ago
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hilaryjcorts:

Aaron Scott/Attica! Attica! at the Jake Stults benefit show. Party Xpo, Brooklyn.
© 2010 Hilary J. Corts

That about sums it up.
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hilaryjcorts:

Aaron Scott/Attica! Attica! at the Jake Stults benefit show. Party Xpo, Brooklyn.

© 2010 Hilary J. Corts

That about sums it up.

  • 1 year ago > hilaryjcorts
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Pay The Machine.

I was pulling out of the parking garage at the Hyatt in Rochester, NY.  After a month of staying in the sketchiest motels on the company’s dime, decadence prevailed at the Hyatt.  But unlike the Red Roof’s and Super 8’s of the world, coffee isn’t free at the Hyatt.  Neither is the parking.  $4.00 for an overnight spot in the parking garage.  That was fine, but when I slipped my ticket into the machine, the machine demanded $8.00 in a robot voice.  I ejected the ticket, put it back in.  $8.00.  I ejected the ticket, checked the timestamp (3:00 PM the previous day), put it back into the machine.  8 bucks.  A new voice came onto the intercom, a human voice.

“Is there a problem?”

“The machine wants 8 dollars.  I only owe it 4.”

“Pay the machine.”

“I’m glad to pay the machine, but I only stayed here one night.”

“What does the machine say?”

“It says 8 dollars.”

“Pay the machine.”

“But the machine is wrong.”

“Pay the machine.”

This fantastic customer service confused me to the point that it was worth 4 bucks not to have to talk to either the machine or the human machine advocate anymore.  After paying the 8 dollars, I realized that I just witnessed my personal dystopian future.  A future where the best jobs, perhaps the only jobs, are jobs where humans tell other humans that the machines are right and we are wrong.  Machines are infallible.  You’ve never experienced a machine that malfunctioned, miscalculated, or broken down.  We’ve made the machines, so the machines are infallible.  Because we’re infallible.  Except when we get in disagreements with the machines. 

Pay the machine.

  • 1 year ago
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16.September.2010

Have you noticed the new website?  I hope so.  I’m really, really, excited about it.  There’s still a couple kinks to work out, but you should browse around and check it out.  I owe it all to Iris at Start Here Designs for putting it all together for me.  Thanks, Iris!

I’m also getting really, really excited for these shows coming up.  All the details are in the last news item and on the shows page, but here’s a preview:

- Rochester: House show!  Pre-show BBQ?  Yes, please!
- Oswego: House show!  And my first time seeing Mayflower!  Considering the quality of the members’ other bands, this promises to be excellent.
- Ithaca: Completing the Upstate NY House Show Trifecta, I’ll be playing some acoustic covers with Oscar, my old bandmate from De La Hoya.  (We’ll be doing this in Oswego, too.)
- Long Island: My first LI show in over a year, this will be a benefit for a school in Venezuela.
- Brooklyn: This benefit is particularly meaningful to me, and it doesn’t hurt that every other band on the bill is fantastic.
- Philly: House show!  Considering how excellent the last house show in Philly was, this has gotta be pretty fun.
- NJ: Not only is this show in the town I lived in when I was a baby, it is also a 3/4 mile hike into the woods at a place called “The Cliffs”.  THAT IS AWESOME. 

See?  Isn’t this a fun set of shows?  You should seriously come hang out because we’re gonna be having a blast.  See you there!

- Aaron

  • 1 year ago
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13.September.2010 

I’ve got shows!  As always, e-mail aaron@atticaattica.org with any questions.

The What About Very Old Friends Tour

19.September.2010
Rochester, NY @ The Shark Tank, 5 PM, $3 donation
Pre-Show BBQ at 2 PM!
w/ Josh Mordecai
e-mail aaron@atticaattica.org for address

22.September.2010
Oswego, NY @ The Bat Cave, 15 Orville St., 6 PM
w/ Mayflower, Ghost Robot Ninja Bear (solo)

23.September.2010
Ithaca, NY @ The Ghostcat, 514 N. Aurora
Doors @ 7 PM w/ Campfire Story Circle
Music @ 8:30 w/ Ghost Robot Ninja Bear (solo), Rye ‘n Clover

24.September.2010
Benefit for Fe Y Alegria of Barquisimeto, Venezuela
Lindenhurst, NY @ The Brew Haus
111 N. Wellwood Ave.
10 PM, $5 suggested donation
w/ Make It Plain (feat. Duncan of Capital & Thieves and Assassins), Correspondents

25.September.2010
Benefit for the Jake Stults Foundation
Brooklyn, NY @ Party XPO
929 Broadway, 7 PM, $10 All Ages
w/ Ruiner, Achilles, Another Breath, Such Gold, Mayflower
Advance Tickets

26.September.2010
Philadelphia, PA @ The Crystal Palace, 49th & Locust, 6 PM-ish
w/ Captain We’re Sinking, Ark Royal, Paper Lanterns

28.September.2010
Oak Ridge, NJ @ Rawest Venue (aka The Cliffs), 6 PM
All acoustic outdoor show w/ Control, Erica and Tyler, Kristia of Exit She Calls, Insouciant, The David Alan Fear
Go HERE for important directions on getting there.

  • 1 year ago
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Last weekend, I played Campfire Fest.  As you can see, it lived up to its name.  It was the first show I’ve played where I woke up in a tent, swam in a lake, and spent the entire day in flip-flops, all without leaving the “venue.”  I’ve played a lot of shows in my life, so it’s extremely rare that any show has more than one “first.”  This is what I loved about Campfire Fest.  It was different.  I saw twenty or so performers play over two days, and all of them were acoustic.  This isn’t to say that it wasn’t loud…we were loud enough to get the park ranger to threaten to call the sheriff.  (But we were also charming enough that he didn’t.)  In the end, I met a lot of new friends and heard some amazing musicians.
I think this is the first weekend that I really felt like acoustic music was powerful.  Sure, songs or performances can be powerful, but my love of punk rock has given me the permanent assessment that being plugged-in is superior, and playing acoustic is just the absence of electrical options.  After this weekend, I feel differently.  We had two days of music without electricity and it didn’t seem boring or mediocre.  Indeed, it was invigorating.  There may come a time when we cannot access electricity as readily or cheaply as we do now, and I no longer fear that possibility, since I know that we will always have plenty of music regardless.
I also have to give recognition to the good folks who came out to the basement show in New Jersey a few weeks ago.  I didn’t have a lot of time to play shows during my east coast visit, but we sure made the one show count.  To be frank, it was the best show I’ve played as Attica! Attica!  I say that because the participation was so enthusiastic… incredibly enthusiastic, in fact.  Some people knew the words better than I did.  Additionally, my friends in Barcode Youth played “Five Year Plan” with me, and they made it sound really, really amazing.  Damn, those boys can shred.  Hopefully, we’ll get to do it again sometime soon.  And it’s always great to see my old tour buddies in The New Dress, especially since their new songs are so good. 
Now would be a good time to say that I’m going to be back East for a good while.  I’ll be working, but hopefully I have some shows up my sleeve as well.  Keep an eye on the shows page for updates.  Until then,
- Aaron
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Last weekend, I played Campfire Fest.  As you can see, it lived up to its name.  It was the first show I’ve played where I woke up in a tent, swam in a lake, and spent the entire day in flip-flops, all without leaving the “venue.”  I’ve played a lot of shows in my life, so it’s extremely rare that any show has more than one “first.”  This is what I loved about Campfire Fest.  It was different.  I saw twenty or so performers play over two days, and all of them were acoustic.  This isn’t to say that it wasn’t loud…we were loud enough to get the park ranger to threaten to call the sheriff.  (But we were also charming enough that he didn’t.)  In the end, I met a lot of new friends and heard some amazing musicians.

I think this is the first weekend that I really felt like acoustic music was powerful.  Sure, songs or performances can be powerful, but my love of punk rock has given me the permanent assessment that being plugged-in is superior, and playing acoustic is just the absence of electrical options.  After this weekend, I feel differently.  We had two days of music without electricity and it didn’t seem boring or mediocre.  Indeed, it was invigorating.  There may come a time when we cannot access electricity as readily or cheaply as we do now, and I no longer fear that possibility, since I know that we will always have plenty of music regardless.

I also have to give recognition to the good folks who came out to the basement show in New Jersey a few weeks ago.  I didn’t have a lot of time to play shows during my east coast visit, but we sure made the one show count.  To be frank, it was the best show I’ve played as Attica! Attica!  I say that because the participation was so enthusiastic… incredibly enthusiastic, in fact.  Some people knew the words better than I did.  Additionally, my friends in Barcode Youth played “Five Year Plan” with me, and they made it sound really, really amazing.  Damn, those boys can shred.  Hopefully, we’ll get to do it again sometime soon.  And it’s always great to see my old tour buddies in The New Dress, especially since their new songs are so good. 

Now would be a good time to say that I’m going to be back East for a good while.  I’ll be working, but hopefully I have some shows up my sleeve as well.  Keep an eye on the shows page for updates.  Until then,

- Aaron

  • 1 year ago
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7.July.10

I bought an accordion.  I am well aware that this purchase is the musician’s version of the Nordic Track.  This will not languish in the corner of the garage, my friends, oh no.  The day after I bought it, I bent my finger back very, very far against a basketball.  Now I cannot play my accordion.  I guess that’s appropriate, since I don’t know how to play it.  What I’m trying to say is don’t expect my accordion-only covers album of Stevie Wonder songs to drop anytime soon.

In other (aka actual) news, I just bagged up the final mix of a sah-weet Propagandhi cover song for a split 7”.  I don’t know if I’m allowed to divulge anymore interesting details yet, but I can tell you that this is the first A!A! track to involve the djembe.  It sounds like maybe that would be bad, but don’t worry, it’s good.

Also got a couple shows on the stove, one in Jersey and the other in California.  See you there.

- Aaron

  • 1 year ago
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8.June.2010

At this moment, I am looking at a big stack of money.  It’s more cash than I’ve seen on my desk in a long time, and none of it’s mine.

Last week, I played a benefit show for the Jake Stults Foundation.  It was an average turnout for an Attica! Attica! show in Portland, and the requested donation at the door was $3-5.  Perhaps you can understand, then, why I was astounded that the total we made averaged out to be $20/person.  Considering that some people donated $3, others donated much more.  Two days later, my friend Jesse was at a hardcore show and announced an upcoming benefit screening for the foundation.  One of the bands, Dangers, decided to donate all of their door money and merch money from the show, even though they were on tour.  Two days after that, I was at a show talking to my friend Rory of Soul Control about the situation, and he returned with a generous donation from his band, despite being 3,000 miles from home.

We are truly a stunning community.  Within a week, we raised just under $1,000, mostly from people who barely knew Jake or didn’t know him at all.  We are not some enormous charitable organization using donations to cover administrative fees, nor are we a church with loyal weekly contributors.  We are just a group of people who take care of our own.  And Jake was one of us.

The circumstances of Jake’s life and of his death allowed for him to donate 7 organs and enough tissue for up to 70 additional recipients.  It is rare that a person’s passing can have such a broad and profound impact on extending and improving the lives of others.  We can and should rejoice in this fact, but we must do so with an awareness that the efforts to save his life came at an enormous cost.  As of today, the medical bills stand at $115,000.  I think we can all agree that this is far too great a burden for one person to bear.

So it’s up to us.  I am so satisfied and impressed with the pile of money in front of me because it is evidence of how strong and unique our community is.  We are great.  But this is less than 1/100th of the financial burden that Jake’s wife and family face.  I hope you will continue to demonstrate how strong our network is by helping with a donation to the Jake Stults Foundation.  If you are reading this, then you were a part of Jake’s community, even if you didn’t know him.  I encourage you to act the way you would like the community to respond if you were in the same situation.  Thanks for your generosity, your kindness, and your support.

- Aaron

  • 1 year ago
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ATTICA! ATTICA! is pretty good folk punk. Some kid on a message board once said that it sorta sounds like an off-off-Broadway musical. That's sorta true. You can download Attica! Attica!'s music at BANDCAMP.

For all inquiries, booking and ideas, please e-mail Aaron: aaron@atticaattica.org

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